There's a lot of just young talented and passionate artists out here.
In your opinion, what's the hip-hop scene like in London for emerging artists and producers? How do you go about growing a fanbase there and are locals supportive of the homegrown talent?
#SOUNDATION AUDIO LOCKER SOFTWARE#
It's not as widely known as some other software because it's fairly new compared to a lot of the bigger ones, but it's pretty good. I'll also say that "Cleopatra" was definitely an inspiration for the whole sound of the album due to that song being the first one done, so I was just trying to make the other songs sound cohesive enough next to it.įor the software I used Soundation. You produced every instrumental on this album how did you decide which beats fit the most thematically for it, and what software/hardware do you use to produce? Maybe some of those songs will come out soon, I don't know, we'll see. I really wanted this album to sound cohesive in sound as well as personal in topics, so a lot of stuff I was working on got scrapped in the process unfortunately. One of them was a song called "Forest" I made with Shaggy Jacko, and Sophie Simonds about picnics and love and stuff which I really love but it just didn't fit the message and vibe of the album as a whole. Were there songs that you worked on for this album that did not end up on the final track list? If so, why did they not make the cut? Overall, it probably took about over a month to complete.
It was very much therapeutic, and after a few weeks I realized I had enough material for a small project. I was just at home because of lock down like a lot of people, and was just writing a lot of poetry and lyrics about what I was going through emotionally and mentally at the time due to everything that was and is going on, as well as self reflecting on myself. Thank you, and I started working on this album in May after I released my song "Cleopatra".
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